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・ María Benítez Navarrete
・ María Berea de Montero
・ María Betancourt
・ María Betancourt (diver)
・ María Bibiana Benítez
・ María Blanchard
・ María Blasco Marhuenda
・ María Bonita
・ María Bonita (telenovela)
・ María Brito
・ María Cabrera Muñoz
・ María Cadilla
・ María Calcaño
・ María Calderón
・ María Canals Barrera
María Candelaria
・ María Cangá
・ María Capovilla
・ María Caridad Colón
・ María Carmen Barea
・ María Carmen Collado
・ María Carmen López Segura
・ María Carmen Riu Pascual
・ María Carmen Rubio
・ María Carrasco
・ María Casal
・ María Casares
・ María Castelli
・ María Catrileo
・ María Cayetana de Silva, 13th Duchess of Alba


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María Candelaria : ウィキペディア英語版
María Candelaria

''María Candelaria'' is a 1944 Mexican film directed by Emilio Fernández and starring Dolores del Río and Pedro Armendáriz. It was the first Mexican film to be screened at the Cannes International Film Festival where it won the Grand Prix (now known as the Palme d'Or) becoming the first Latin American film to do so.〔(Festival de Cannes - Official Selection 1946 )〕 ''María Candelaria'' would later win a Silver Ariel award for Best Cinematography.
The film came to be regarded as one of Fernández's best works in which he portrays the indigenous people of Mexico with innocence and dignity. Fernández has said that he wrote an original version of the plot on 13 napkins while sitting in a restaurant. He was anxious because he was dating Dolores del Río and could not afford to buy her a birthday present. The film was first entitled ''Xochimilco'' and the protagonist was named María del Refugio.
Major themes in the film include melodrama, indigenousness, nationalism, and the beauty of Mexico. ''María Candelaria'' is one of Mexico's most beloved films of all time, and was ranked thirty-seventh among the top 100 films of Mexican cinema.〔(【引用サイトリンク】url=http://cinemexicano.mty.itesm.mx/peliculas/candelaria.html )
==Plot==
A young journalist presses an old artist (Alberto Galán) to show a portrait of a naked indigenous woman that he has in his study. The body of the movie is a flashback to Xochimilco, Mexico, in 1909. The film is set right before the Mexican Revolution, and Xochimilco is an area with beautiful landscapes inhabited mostly by indigenous people.
The viewer learns that the woman in the painting is María Candelaria (Dolores del Río), a young Indian woman who is constantly rejected by her own people for being the daughter of a prostitute. She and her lover, Lorenzo Rafael (Pedro Armendáriz), face constant struggles throughout the film. They are honest and hardworking, yet nothing ever goes right for them. Don Damian (Miguel Inclán), a jealous Mestizo store owner who wants María for himself, prevents them from getting married. He kills a piglet that María and Lorenzo plan to sell for profit and he refuses to buy vegetables from them. When María falls ill with malaria, Don Damian refuses to give the couple the quinine medicine necessary to fight the disease. Lorenzo breaks into his shop to steal the medicine, and he also takes a wedding dress for María. Lorenzo goes to prison for stealing, and María agrees to model for the painter to pay for his release. The artist begins painting a portrait of María, but when he asks her to pose nude she refuses.
The artist finishes the painting with the nude body of another woman. When the people of Xochimilco see the painting, they assume it is María Candelaria and stone her to death.〔
Finally, Lorenzo escapes from prison to carry María's lifeless body through Xochimilco's canal of the dead.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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